File:Jean-François Millet - The Goose Girl - Walters 37153.jpg
本预览的尺寸：732 × 599像素。 其他分辨率：293 × 240像素 | 586 × 480像素 | 938 × 768像素 | 1,251 × 1,024像素 | 1,799 × 1,473像素。
原始文件 （1,799 × 1,473像素，文件大小：3.25 MB，MIME类型：image/jpeg）
摘要
让-弗朗索瓦·米勒：The Goose Girl
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| 艺术家 |  | |||||||||||||||||||||||
| 标题 |
The Goose Girl |
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| 物体类型 |
画作  |
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| 艺术类型 |
裸体艺术 |
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| 描述 |
English: A young girl, identifiable as a peasant by her kerchief and her work-roughened hands and feet, extends her leg to dip a heel into the stream. In this painting, Millet refers to a long tradition in European art of depicting the idealized female nude in a natural setting, often in the guise of a mythological figure. The artist reworks this convention from a Realist perspective, emphasizing the goose girl's working-class status, adolescent body, and vulnerable pose. Millet developed this composition through numerous studies made over a period of seven years. |
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| 日期 | 约1863年 | |||||||||||||||||||||||
| 表现形式 | 布面油画 | |||||||||||||||||||||||
| 尺寸 | 高度：38厘米；宽度：46.5厘米; with frame： 高度：58.2厘米；宽度：66.6厘米；深度：11.4厘米 | |||||||||||||||||||||||
| 藏于 |
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| 登录号 |
37.153 |
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| 创作地点 | France | |||||||||||||||||||||||
| 收藏史 |
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| 展览史 | From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland. Baltimore Museum of Art, Baltimore. 1951. Birth of Impressionism. Pace Wildenstein Gallery, New York. 1963. Man: Glory, Jest, and Riddle, A Survey of the Human Form Through the Ages. Fine Arts Museums of San Francisco, San Francisco; Fine Arts Museums of San Francisco, San Francisco. 1964-1965. Before Monet: Landscape Painting in France and Impressionist Masters: Highlights from The Walters Collection. The Walters Art Gallery, Baltimore. 1998. Drawn into the Light: Jean-François Millet. The Sterling and Francine Clark Art Institute, Williamstown; The Frick Art & Historical Center, Pittsburgh; Amsterdam: Van Gogh Museum, AJ Amsterdam. 1999-2000. Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo; Dayton Art Institute, Dayton. 2000-2002. A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte; The Walters Art Museum, Baltimore. 2002-2004. The Road to Impressionism: Landscapes from Corot to Manet. The Walters Art Museum, Baltimore. 2004-2005. The Road to Impressionism: Barbizon Landscapes from the Walters Art Museum. The Dixon Gallery and Gardens, Memphis; The Frick Art & Historical Center, Pittsburgh. 2008-2009. 19th Century Masterpieces from the Walters Art Museum. Santa Barbara Museum of Art, Santa Barbara; Jack S. Blanton Museum of Art, Austin. 2010-2011. | |||||||||||||||||||||||
| 荣誉行 | Acquired by Henry Walters, 1905 | |||||||||||||||||||||||
| 题记 |
签名 下方 左侧： J. F. Millet
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| 参考 | ||||||||||||||||||||||||
| 来源 |
沃尔特斯美术馆:  Home page  Info about artwork |
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| 授权 (二次使用本文件) |
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许可协议
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This file was provided to Wikimedia Commons by the Walters Art Museum as part of a cooperation project. All artworks in the photographs are in public domain due to age. The photographs of two-dimensional objects are also in the public domain. Photographs of three-dimensional objects and all descriptions have been released under the Creative Commons Attribution-Share Alike 3.0 Unported License and the GNU Free Documentation License.
In the case of the text descriptions, copyright restrictions only apply to longer descriptions which cross the threshold of originality.
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此为平面艺术作品的忠实摄影副本。作品本身因为以下原因属于公有领域：
此数字副本以下列许可证授权：
在许多司法管辖区，平面公有领域艺术作品的忠实副本不受版权保护。维基媒体基金会的立场认为此类作品在美国不受版权保护。（详见再利用PD-Art照片）。在上述司法管辖区中，本作品实际上属于公共领域，上述许可的要求不是强制性的。 | ||||||
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| 日期/时间 | 缩略图 | 大小 | 用户 | 备注 | |
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| 当前 | 2012年3月21日 (三) 21:54 | | 1,799 × 1,473（3.25 MB） | File Upload Bot (Kaldari) | == {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Jean-François Millet (II)}} |title = ''The Goose Girl'' |description = {{en|A young girl, identifiable as a peasant by her kerchief and her work-roughene... |
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