喬瓦尼·費利切·桑切斯

喬瓦尼·費利切·桑切斯（義大利語：Giovanni Felice Sances，「Sances」也寫作「Sancies」「Sanci」「Sanes」或「Sanchez」，約1600年-1679年11月24日），意大利歌唱家、巴洛克時期作曲家，在世時享譽歐洲。

1609年-1614年間，桑切斯在位於羅馬的日耳曼大學（英語：Collegio Teutonico）學習。1614年，他曾在歌劇Amor pudico中上台演出。他的職業生涯始於博洛尼亞與威尼斯這兩座城市。桑切斯的第一部歌劇Ermiona於1636年首次亮相，其本人也親自登台演唱Sances studied at the Collegio Germanico in Rome from 1609 to 1614. He appeared in the opera Amor pudico in Rome in 1614. His career then took him to Bologna and Venice. His first opera Ermiona was staged in Padua in 1636, in which he also sang.

1636年，桑切斯前去維也納，在此地他最初受僱於皇家宮廷，成為一名男高音。在1649年斐迪南三世統治期間，他委任副宮廷樂長（英語：Kapellmeister），此時正樂長為安東尼奧·貝塔利（英語：Antonio Bertali）。二人相互協作，定期將意大利歌劇搬上舞台。桑切斯還創作了如sepolcri、聖樂及室內樂這些類型的作品。In 1636 he moved to Vienna, where he was initially employed at the imperial court chapel as a tenor. In 1649, during the reign of Ferdinand III he was appointed vice-Kapellmeister under Antonio Bertali. He collaborated with Bertali to stage regular performances of Italian opera. He also composed sepolcri, sacred works and chamber music.

1669年貝塔利去世後，他成功任命宮廷樂長一職。出於健康原因，從1673年始，他的副手約翰·海因里希·施梅爾策逐漸承擔他的工作。1679年，桑切斯逝於維也納。In 1669 he succeeded to the post of Imperial Kapellmeister upon Bertali's death. From 1673, due to poor health, many of his duties were undertaken by his deputy Jodhann Heinrich Schmelzer. He died in Vienna in 1679.

作品[編輯]

宗教音樂作品Sacred works[編輯]

出版的經文歌集Published motet collections[編輯]

Motetti a una, due, tre, e quattro voci (1638)
Motetti a 2, 3, 4, a cinque voci con Litania della BVM (1642) dedicated to Guglielmo Slavata chancellor
Salmi a 8 voci (1643) dedicated to Archduke Leopold Wilhelm
Salmi brevi a 4 v. concertate (1647, Cardano) dedicated to Ferdinand IV, King of the Romans^[1]
Antiphonae sacrae una voce decantandae (1648, Cardano) dedicated to Antonio Spindler abbot of the Schottenkirche
Motetti a quattro voci ; Venice, 1658

Various works[編輯]

60 Mass settings including
- Missa Sanctae Maria Magdalenae (for 6 wind instruments, 6 string instruments, 7 voices, and organ)
- Missa Solicita
Stabat Mater (1670)
O Domine Jesu
O Deus Meus
O Maria Dei genetrix
Caro Mea
Improperium expectavit cor meum
Vulnerasti cor meum
Domine quid multiplicati sunt
Plagae tuae Domine
Iste confessor

世俗音樂作品Secular works[編輯]

Six operas, of which three lost

Opera: L』Ermiona (1636) - lost - libretto by Pio Enea degli Obizzi (1592–1674) on the story of Cadmus and Hermione, performed as an introduction to a tournament.
Oratorios: Lachrime di San Pietro (1666) La morte de bellata (1669), Sette consolazioni a Maria Vergine per la morte di Cristo (1670), Il trionfo della Croce (1671), Il Paradiso aperto per la morte di Cristo (1672), L' ingiustitia della sentenza di Pilato (1676)

Published secular music[編輯]

Cantatas book I - lost (date unknown)
Cantatas for one voice (Venice 1633)
Cantatas for two voices (Venice 1633)
Il Quarto Libro, cantatas for one voice, with two duets and one for three voices. (Venice 1636)
Capricci Poetici, 23 works (Venice 1649)
Trattenimenti musicali per camera, (Venice, 1657), 16 works^[2]

Various[編輯]

Mi fai peccato (for 2 voices & basso continuo)
Si fera s'uccida, (for 2 voices, strings & basso continuo)
Misera, hor si ch'il pianto
Chi sa amare e tracer mercede aspetti (canzonetta for 2 voices)
Presso l'onde tranquille (for voice & basso continuo)
Traditorella che credi (for voice & basso continuo)
Perché Vechia gli dissi (for voice & basso continuo)
Che sperasti ò mio cor (for voice & basso continuo)
Cantata: Lagrimosa beltà (ciaccona) (for 2 voices)
Cantata: Non sia chi mi riprende (1636)
Dialogo a due. Pastor e Ninfa (1649)
Pianto della Madonna cantata per alto e organo

參考資料[編輯]

Il quarto libro delle cantate et arie a voce sola, Venetia, Vincetini, 1636
Capricci poetici di Gioan Felice Sances, Venetia, Gardano, 1649
Carter, Stewart, "Trombone Obbligatos in Viennese Oratorios of the Baroque", Historic Brass Society Journal, p55, July 1, 1990.
Sadie, Julie Anne, ed., "Companion to Baroque Music", University of California Press, 1998. ISBN 0-520-21414-5. Pages 257–8
Weaver, Andrew H., "Music in the Service of Counter-Reformation Politics: The Immaculate Conception at the Habsburg Court of Ferdinand III (1637–1657)", Oxford University Press, 2006.
Rosand, Ellen, "The Descending Tetrachord: An Emblem of Lament", The Musical Quarterly, 1979 LXV(3):346–359; doi:10.1093/mq/LXV3.346, Oxford University Press, 1979

Specific

^ dedication table. [2020-12-26]. （原始內容存檔於2017-09-05）.
^ The Italian Cantata in Vienna: Entertainment in the Age of Absolutism 0253010349 Lawrence Bennett - 2013 "The two cantata volumes from this time are the Capricci poetici (Venice, 1649), which includes twenty-three pieces, and the Trattenimenti musicali per camera (Venice, 1657), with sixteen compositions.

Recordings[編輯]

Tirsi Morir Volea, Sacro & Profano, Marco Mencoboni E lucevan le stelle records （頁面存檔備份，存於網際網路檔案館）
Dulcis amor Iesu. Scherzi Musicali with Nicolas Achten, conductor. 2010, Ricercar RIC 292
Stabat Mater & Motets to the virgin Mary - Philippe Jaroussky - Warner Classics - Aout 2009

外部連結[編輯]

公有領域聲樂檔案館上喬瓦尼·費利切·桑切斯的作品
喬瓦尼·費利切·桑切斯的樂譜，來自烏托邦計劃（英語：Mutopia Project）

[1] tion table. [2020-12-26]. （原始內容存檔於2017-09-05）.

[2] The Italian Cantata in Vienna: Entertainment in the Age of Absolutism 0253010349 Lawrence Bennett - 2013 "The two cantata volumes from this time are the Capricci poetici (Venice, 1649), which includes twenty-three pieces, and the Trattenimenti musicali per camera (Venice, 1657), with sixteen compositions.

[1]

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